![]() ![]() He was drawn into the world of pathos and emotions which launched his desire to dedicate his life recording the silent aesthetic of our beautiful world. in language science studies and a few years to teach in this field, he decided to turn seriously his passion for photography. With a disposable camera in his bag, he started to record every corner of urban landscape among this wonderfully strange, enormous city. Placing himself in ambush, he gives us, calm, rested, filtered, traces of happiness torn from the precipice of modernity voluptuously remotely.Īlexandre first fell in love with photography in 2000 while traveling around São Paulo in Brazil. Classic, timeless, a nostalgic or melancholic nothing, his views devoid of all human presence track down the mystery of the spirit of the time of his moment of ostentation. His interest in large classical gardens led him to create a set of forty photographs of the Villarceaux estate that he presented on-site in 2003 and a work on the theme of Writers Houses that he exhibited in 2005 to the Regional Council of Ile-de-France. He began his career photographing art, a subject that took him to the Rothschild Collection in Waddesdon Manor then onto the United States to the Getty Center in Los Angeles and the Museum of Modern Art in New York. They take on a life and presence of their very own, at times evoking a world of mystery. ![]() ![]() Jérôme’s ethereal and mystical photographs are focusing on the timelessness of the garden, in which human beings are absent. ![]()
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